Master Course -Summer school / JULY- AUG
Movement class 10:30-12:30 Improvisation class: 13:00-15:30
These courses are for visitors, anyone welcome except boring people.
How do you know whether you are boring or not? Ask your family, ”Daddy, mammy, brother or sister, am I boring?” If they answer, ”No, but you could be a bit more funny” its means you are really boring. Then don’t come, stay in your boring way.
Theatre is serious game as children play. ”Le Jeu” means ”Game”. It is a very important basic lesson of Philippe Gaulier’s teaching. No game, No theatre.
These short courses are especially made for people who don’t have enough time to be in the year long programme. Students who are in the year long programme cannot apply to this course.They are open to anyone who wants to work in theatre professionally. People who are 19 years or older.
There are no auditions or interviews. First come, first served.
Movement class 10:30-12:30, Improvisation class: 13:00-15:30
Philippe Gaulier will teach improvisation classes everyday. All the movement classes will be taught by his assistant.
All our teachers are graduates of our school and are wonderful artists.
This class has a capacity of 35 people. Classes may be cancelled if the number of applicants is less than the specified number (20 people).
Students may choose to do one course, a number of courses or to do the whole year – it is up to the student to decide.
You can take any combination of courses, it is not necessary to do a full term or a full year.
The discount price was set up for students doing a full summer course or 2 choice of summer courses.
‘‘Jeu’’ (Game & Play). It is the source of everything; of the pleasure and desire to be an actor. Playing in the theatre is the same as playing at running, jumping, fighting as people and animals do: playing cowboys, Indians, soldiers, doctors and with dolls. In the workshop on ‘‘Le JEU’’, we learn the meaning of all the basic teaching terms that will be referred to throughout the year: complicity, fixed point, playing in major and minor keys and their reciprocal pleasures ; we learn to say that we are actors and that it’s scary but that being scared is part and parcel of being an actor, part and parcel of the pleasure.
It is funny that playing with Mr. Flop happens after many many other flops that weren’t at all deliberate, that weren’t playmates. Then, Mr. Flop says to the clown: salvage what you can. So the clown lets the audience see the great delight of a child who wants to stay on the stage, and who lets out a very special yell. We carry on loving him. He has saved the show. Clown is coming from kingdom of bad students. Everything goes wrong with them, catastrophe ! But they have a dream as a great artist . We will discover poetly of ideot in this workshop.